Showing posts with label epic haibun. Show all posts
Showing posts with label epic haibun. Show all posts

Thursday, November 5, 2020

A Prank

 

Sissy Spacek in Carrie (1978)

A Prank

“Do you believe that a prank can ruin a life?” Ketil inquired of his companions as they walked down the shadowed corridor of the House of Lost Dreams.

“Apologies fer hedgin’ on yer query, old currant bun, but I’ve noticed that this portion of the old Dream Drum continually looks very much the same, although what it branches off to varies in its rotten scariness,” Little John observed as he took a chomp from a rotten hunk of haunch.

“Pranks are an unfamiliar concept to me,” Yitzy imparted telepathically. The gigantic creature held a lantern in one great claw as he slid silently along the floor of the malevolent structure. “My race never engaged in frivolity. I do not mind Robin’s tendency to do so. Do you fellows recall the time when he said: ‘Yitzy, old boy, I’m gonna bury you!’ in a grumbling voice, and as I was wondering what I had done to inspire his wrath, he presented me with a bowl of berries.”

“This is not a prank, Yitzy, it is a jest,” Ketil countered. “While it is true that some pranks are harmless, such as short-sheeting a bed or putting what is knowed as a whoopie cushion on someone’s seat so it sounds as if they has farted loudly, I has finded in my time that many pranks is cruel in their intent and some has dire consequences that lasts a lifetime and beyond. Such a prank was depicted in the story Carrie, which was writed by the author Stephen King.”

“Oi, there was this cinema in Crouch End that used ter have a late showing of movies that had been out fer a spell,” Little John revealed. “Me and Rob went and saw Carrie there one night after we found ten quid just layin’ about on the ground.”

“Did you sneak in your own entrails for a snack, or did you purchase popcorn?” the ghost quipped.

“Well, yer see, the proprietor was one of them fish folk, an’ he was sympathetic ter the dietary needs of ghoul-kind,” Little John said. “Seemed ter ‘ave a limitless supply of molderin’ meat-stuffs in ‘is larder, an’ ‘e gave us a rusty bucketful of stale popcorn smothered in rancid butter and ‘uman fat. Rob and me had a foine time watchin’ the film, but we did feel right sad fer the young twist 'n' twirl what ‘ad a bucket of pig blood poured over ‘er dome by them arseholes who didn’t have nothin’ better to do than behave shite ter a poor lass what had a rough lot in life already.”

“Yah, this is the sort of prank of which I mean,” Ketil acknowledged. “Now, as so often is the case in a story such as Carrie, the arseholes what fucked with her paid for their shite behavior. But the accounting team of the Cosmos does not work so smooth in the real world. There was fuckers what near to got me killed all for a stupid joke because they do not like a fellow who is strange, especially when they is jealous that his father is holded in high regard for his position. I shall tell you of this incident, beginning with a poem which I shall now recite to you.”

cruel jest the match

a spark that leaves life in ruin

joke far from funny

Acknowledgments

This chapter was Written using the October Spooky Writing Challenge prompts from The Writers Handbook.

https://thewritershandbook.tumblr.com/post/630699213481705472/this-years-october-spooky-writing-challenge-is

The piece was also inspired by the November PAD Chapbook Challenge prompt challenging participants to write a Ruin poem.

The form of this piece is a long fictional Haibun. A Haibun is a form of Japanese poetry where a piece of prose is followed by a Haiku or Senryu.

This piece is part of my WIP, The Key of Eidolon. 

The Key of Eidolon is the second book in the Tales from the Dreamlands series. You can pick up the first book, Ketil and Yitzy’s Adventure in the Xura Dream House from Amazon or LBRY.

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https://lbry.tv/@poetryofthenetherworld:9

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This is a Thirsty Thursday post
Free use image by Open Clipart Vectors on Pixabay

 


Tuesday, October 27, 2020

Same Old Spell: A Feminist Choka

 


Free use image copyright Javier Rodriguez on Pixabay

Translation: we always have to recreate a tongue that shows respect for the woman if we walked for a moment in her shoes we would feel indignant

the magic has gone
from the soulless holy days
nothing is special

remember childhood
when holidays were magic
the veil was thinner

at midnight we heard
the spirit of the season
singing lullaby

now what goes between
disdain in each eye contact
when strangers first meet

no magic words now
can't compensate for the hate
fear of the unknown

like our ancestors
demand self-deprecation
from every woman

measuring her worth
based on the size of her hips
is misogyny

aura of the past
surrounding the present time
fertile ground for hate

new wokeness seems
it's the same misogyny
with a fresh accent

will we ever wake
will truth see the light of day
blowing in the wind

~cie~

noted
Hate has many faces, all of them ugly. This poem addresses the ways in which the misogyny that distressed me as a young girl, inspiring me to secretly declare myself a feminist when I was eight years old, is alive and well today with a new coat of paint. 

Women are no longer expected by society as a whole to live on an allowance doled out by their patronizing husbands while they keep a spotless house, cook a perfect dinner, and populate the world. We are, however, still expected to be helpmeets to men, to not have too many aspirations of our own, to keep our discomfort to ourselves, to capitulate to the demands of others, and to look like a Stepford wife with sex-hungry eyes and the body of a teenage girl who happens to have perfect double d-cup breasts while doing so.

Women who speak up for the needs and rights of women are still threatened with corrective rape and called all manner of humiliating names. These days, these threats are made in the name of "wokeness" and a perverse brand of "inclusivity" that excludes women while calling itself "feminism" and in which women are shouted down for using words to describe our own anatomy and health issues or for using words such as "mother" or "breastfeeding." Meanwhile, nobody seems to have a problem with the word "father," or with anyone saying that men get prostate cancer, and men are not expected to share their changing rooms with those with female anatomy for the sake of "inclusivity."

It's a step well backward in the name of progress. I really should not be surprised that women are the ones to suffer under the new woke boss, who just happens to be the same as the old, unwoke boss but is wearing a hip new suit and drinking a fair-trade latte while he tweets out profanity-laced pejoratives to the "transphobic" cunts who dare to question why we can't say the word "woman" when talking about women's health and who take issue with the idea of sharing our changing rooms with a bearded man with meat and veg fully intact. Women who wish to have a female caregiver or health care provider for intimate care or invasive examinations are labeled hateful and told that we are "weaponizing our trauma."

Those who have been smart enough to avoid Twitter (I was for a long time, but, unfortunately, the book reviews and promotions necessitated me taking it up again) may not be aware of these peculiar developments and think that I am being overly dramatic. Sadly, I am not.

I have become more aware than ever in the past five years that both the right and the left hate women. The right clothes their hate in "family values" and religious doctrine while the left demands that women be "inclusive" and "flexible", by which they mean framing women's issues to include men, all while looking and acting like porn stars 24-7.

And that is the delightful place from which today's happy little verse springs.

the prompts






Word List

Magic

Holidays/Holy Days

Ancestors

childhood

special

veil

between

Midnight

Aura

Hips

Strangers

Self-Deprecation

Words

Disdain

Find

Woman

Lullaby

Compensate

Accent

Eye Contact


Want more pissed-off feminist poetry? Get it here.

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This poem was posted to these places:

http://poetryofthenetherworld.blogspot.com

https://lbry.tv/@slysfreespeechspace:f

LBRY is a decentralized content marketplace. I price the PDF versions of my work at approximately half of the Kindle price because I receive the entire amount rather than a royalty percentage.

You can get a free LBRY account through this link. You can earn LBC for viewing content on LBRY as well as from selling your content.

https://lbry.tv/$/invite/@naughtynetherworldpress:d


The Icky, Sticky, Nit-Picky Legalese If You Please (Or Don't Please)


Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

This work is the intellectual property of Poetry of the Netherworld and Sly Fawkes Feminist Media.

Reblogging is acceptable on platforms that allow it. LBRY’s reblog function is called repost, which makes things confusing since reposting is considered a no-no on most platforms. It’s fine to share the post using the repost function on LBRY. It is not okay to copy-paste the material into a new post.

Sharing a link to the post is acceptable.

Quoting portions of the post for educational or review purposes is acceptable if proper credit is given.